They continue to challenge me as a listener. This is heightened by the various compositional styles they use for each piece, some seemingly experimental, others very AWVFTS like. This release sees the team moving around in different ways as they paint the audio picture for the work it was commissioned for so isn't as fluent as other albums, but it is still a challenging listen worthy of the time and effort, and above all else when played at a higher than usual volume, sounds amazing. To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice.ĪWVFTS have produced a glorious set of albums and like anyone some for me are better than others, none are less than worth listening to several times all are worth having. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Continue without accepting’ or ‘Customise Cookies’ to decline these cookies, make more detailed choices or learn more. ![]() Third parties use cookies for the purposes of displaying and measuring personalised advertisements, generating audience insights, and developing and improving products. This includes using first- and third-party cookies which store or access standard device information such as a unique identifier. If you agree, we will also use cookies to complement your shopping experience across Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. The ominous soundscapes of ‘The Dead Outnumber the Living’ contrast with the new beginnings that are presented in ‘Every Solstice & Equinox’, while the jagged and uneasy ‘Thirteenth Century Travelogue’ is one of tension and dread.Įlsewhere, ‘The Divided City’ captivates and intrigues while ‘Only Strings and Their Supports Remain’ and ‘There Is One of Which You Never Speak’ are bold roars for survival before the choral ambience of ‘Desires Are Already Memories’ and piercing drones of ‘Total Perspective Vortex’ bring down the curtain on a spectacular and incredibly emotive body of work.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences, and to provide our services, as detailed in our Cookie Notice. Transformed into 45 minutes of breathtaking beauty, ‘Invisible Cities’ opens with the numinous ‘So That the City Can Begin to Exist’, as Wiltzie and O'Halloran draw breath from distinctively enthralling and vastly expansive worlds. Originally conceived as a touring project, its last performance was in Brisbane, Australia before COVID-19 changed the world as we know it. ![]() Described by The Sunday Times as “a beautiful frenzy of movement”, it fuses theatre, music, dance, architectural design, and visuals and brings to life a series of fantastical places and disparate worlds, centered on the tense relationship between Kublai Khan, the volatile head of a vast empire, and explorer Marco Polo. ![]() Premiering to a sell-out audience in July 2019 at the Manchester International Festival, the duo was commissioned by Warner’s 59 Productions to score the music for the 90-minute multimedia theatrical stage show, adapted from Italo Calvino’s 1972 novel, ‘Invisible Cities’. Released on their own Artificial Pinearch Manufacturing label, the album comes as part of an agreement with A Winged Victory for the Sullen’s current label, Ninja Tune. ORDER: VINYL | CD | TAPE CASSETTE : bit.ly/3hQLdVVĪ Winged Victory for the Sullen, the collaboration between Adam Wiltzie & Dustin O'Halloran, release their 2021 album ‘Invisible Cities’, the stunning score to the critically acclaimed theatre production directed by London Olympics ceremony video designer Leo Warner. ![]() NEW: AWVFTS X DAVY EVANS: LIMITED-EDITION PRINTS: /shop/
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